2.18.2006

Tim Burton's Dark Genius

In 1989, the name ”Tim Burton” entered my personal lexicon. Batman exceeded all my expectations, providing something that truly struck fear into the hearts of villains, as the title hero had done in the comics for decades. Who knew Michael Keaton, star of such comedies as Night Shift, Mr. Mom, Johnny Dangerously, and Gung Ho could fulfill the title role? I had seen and enjoyed all of the films I just listed, but had a hard time envisioning him as Batman, until I saw those first trailers with him in costume, yanking a thug close and stating in a coarse whisper, “I'm BATMAN!” The music of Danny Elfman, who would go on to be a frequent Burton collaborator and become one of my favorite composers, enhanced the new Dark Knight. Finally, the solid insanity of Jack Nicholson completed the new gothic tale of the caped crusader. Nicholson's career is vast, with more than sixty roles to his credit, and I'm still catching up on such things as Chinatown and The Two Jakes, both of which I saw this past week. Batman had a lot of great ingredients, but it was the work of Burton as chef that made it so tasty.

Tim Burton's view of the world combines gothic elements with twisted circus imagery to create a new entity. A fact I often forget is that, while Batman is the first time I registered his name in my consciousness, Pee Wee's Big Adventure is actually the earliest Burton film I've seen. Keaton worked with Burton prior to Batman on Beetle Juice, but I'd actually catch that film a few years later, well after watching the animated spinoff. Certain things, from stripes to distorted architecture to exaggerated anatomy, from rotund figures to twigs with spindly legs, all mark Burton's signature. What he achieved with live action in Edward Scissorhands, which I'm ashamed to admit I've not regarded in its entirety, bordered on animation. In 1993, The Nightmare Before Christmas marked his liberation from the restraints of the real world.

The Nightmare Before Christmas was released while I was in college. At the time, my school would often screen movies for free once they left theaters but just before they were released on video cassette. It was in this manner that I also enjoyed Ed Wood. In the age before DVD special features, I'm not sure how I found myself watching a special delving in to the complicated process of stop animation used in Nightmare. Perhaps it was shown as an addendum to the movie in the college auditorium, or perhaps we watched a video in one of my film electives. I was fascinated with the patience required to move each figure slightly and precisely, snap a frame, then repeat the process. Enamored, I woke one morning in a half-dreaming state and exclaimed, “I Am the Pumpkin King!” A lack of common sense led to recounting the tale to classmates and budding friends later that day, a story that took years to live down.

It's hard to believe that was over a decade ago. Burton returned to the world of stop animation with last year's Corpse Bride, a very enjoyable tale that includes the voice of Johnny Depp, another Burton favorite. It's hard to go wrong with Burton, Depp, and Elfman. I think A Nightmare Before Christmas is the better of his two animated works, but Corpse Bride is a fun and twisted ride with a lot of great characters. Every expression, every gesture, and every little facial tic add to the rich and amusing tapestry. Even as I write this, I'm playing the DVD for a second time using the “soundtrack only” option, which removes all dialogue and truly shows how much Elfman's music contributes to storytelling. I don't want to influence readers who haven't sent in their Myclofig votes yet, and I still have some nominees to watch myself, but Corpse Bride definitely ranks high for me at the moment.

With the exception of the tragically disappointing Planet of the Apes remake, I've enjoyed every Burton project I've consumed. I'll close tonight with my top ten favorite movies directed or produced by Burton, in descending order:

10) Mars Attacks!

9) Beetle Juice

8) James and the Giant Peach

7) Corpse Bride

6) Batman Returns

5) The Nightmare Before Christmas

4) Charlie and the Chocolate Factory

3) Pee Wee's Big Adventure

2) Batman

1) Big Fish

12 Comments:

Anonymous Anonymous said...

What about Sleepy Hollow? If anything, doesn't the fact that the film contains Christopher Walken's first ever on-screen kiss (his 73rd film, mind you) count for anything?

2/19/2006 8:17 AM  
Anonymous Anonymous said...

Okay, even Bruce Dickinson needs caffeine to function properly, and a little more cowbell too. Good post MCF, but next time, really explore the space.

2/19/2006 8:22 AM  
Blogger MCF said...

I liked Sleepy Hollow a lot, too. It would be #11 on that list. I suspect once I finally see Edward Scissorhands in its entirety, it will probably bump something from the top 10. I've actually seen MOST of it, but on broadcast television, so I really need to see it properly.

2/19/2006 8:56 AM  
Blogger kevbayer said...

Mars Attacks! - Haven't seen it.
Beetle Juice - Loved it!
James and the Giant Peach - Didn't like it.
Corpse Bride - haven't seen it and have no desire to.
Batman Returns - Hated it.
The Nightmare Before Christmas - I'm ambivelant on this one.
Charlie and the Chocolate Factory - Haven't seen it, but wouldn't mind.
Pee Wee's Big Adventure - Really? Pee Wee Herman? No thanks.
Batman - Loved it!
Big Fish - Haven't seen it, haven't heard of it.

Loved Batman and BeetleJuice - must be Michael Keaton I like.

2/19/2006 1:55 PM  
Blogger MCF said...

I don't know if I'd have the same appreciation for Pee Wee's Big Adventure if I saw it as an adult, but it's a classic I saw as a kid. The Tequila dance? The Twisted Sister cameo? James Brolin? It's goofy, but there's a lot of good stuff.

Mars Attacks! is great if you appreciate 40s pulp sci fi and camp. With the right mindset and tastes, it's damn funny, but not for everyone.

Batman Returns had its share of stupidity, but I can be very forgiving of anything that puts Michelle Pffeifer in skintight leather and allows Christopher Walken to be more eccentric than usual. I think it scores bonus points by comparison given how HORRENDOUS the next two Schumacher films were.

You MUST see Big Fish, Kev. It has an amazing cast and an amazing story, and it will make you laugh as often as it breaks your heart. I couldn't recommend it highly enough. Seriously, put it on your queue, go to a video store, check your cable listings but do what you can to see it as soon as possible.

2/19/2006 2:12 PM  
Blogger MCF said...

I can count on one hand the number of films that have brought tears to my eyes, and Big Fish is one of them. the resolution of the father son relationship really got to me. I also thought Ewan MacGregor did a fantastic job(as always) and enjoyed the love story.

Ed Wood probably falls around 12th or 13th for me, and it's one of those movies I liked more than most people. It was shown for free in my college and a couple of the guys actually walked out.

2/19/2006 3:15 PM  
Blogger Lorna said...

"in Edward Scissorhands, which I'm ashamed to admit I've not regarded in its entirety".....MCF if you never again take my advice, please see Edward Scissorhands from start to finish.

Ed Wood is my hands-down favourite. I'll never wear angora again.

2/19/2006 5:47 PM  
Blogger Jamie Dawn said...

Mars Attacks, Big Fish, James & the Giant Peach & Pee Wee. All are goodies!
I think Burton is probably a little on the weird side, but that's why he makes good, off-kilter films. He uses Depp a lot who is also on the odd side.
What a match!

Danny Elfman is great. I think he did the Simpson's theme. His music is superb.

2/19/2006 5:48 PM  
Blogger Janet said...

While I've admired Tim Burton's career and think he has found a true kinship with actors like Johnny Depp and Christina Ricci, I always thought he was a bit of an acquired taste, not unlike caviar.

2/19/2006 8:46 PM  
Blogger Darrell said...

Lorna, if I divorce Wendy and you divorce Dave, can we run off to "People Who REALLY appreciate Burton's Best Work Land" together?

Just for the record, I think Burton is done. He hasn't done anything on par with his earlier work in ages. Like so many of the great directors of my young adulthood (Oliver Stone, the Coens), his glory days are behind him.

However, as a former HUGE Burton fan, I gotta jump in:

Technically, I don't count "James and the Giant Peach" or "Nightmare Before Christmas" as Burton films, since Henry Selick directed them. They do have a very Burton-esqe feel, though... TB's presence as a producer is undeniable.

Pee Wee: I only saw it as a wayward young man and I'm ashamed to admit that I was as drunk as a wayward young drunk man at the time... and I laughed myself silly.

Beetlejuice: Loved it. I remember sitting in the theater thinking that I HAD to make a note of the director's name.

Batman: Loved it, too. I was steadfastly AGAINST Keaton as Batman until I actually saw the movie and he won me over. Until Bale stole the show, I considered Keaton to be the real Batman. Death to Kilmer!

Edward Scissorhands: Lorna is absolutely right. Watch it from start to finish, and close to Christmas is best. Yes, it's a fairytale. Yes, it's cartoonish. Yes, it's even a bit predictable. Still, Depp's performance, combined with the visuals of the film, make for a real heart-tugger if you see it in the right mood: "Hold me." "I can't." Dude, the teen angst inside you will absolutely bubble back to the surface when you see this movie in the right frame of mind. It's so sweet, so sad, so funny. It's just great. Ebert didn't like it. Death to Ebert!

Batman Returns: Fun. Watchable. Pfeiffer was the consumate Catwoman. However, the movie gets a bad rap (maybe justly so) for beginning the "two villains" trend that killed off the original franchise under the incompetent direction of Joel Schumacher.

Ed Wood: Burton's masterpiece. Wonderful, amazing, beautiful, brilliant film-making. A five on a five scale. Landau gives the perfromance of his career... and it is arguable that Depp does, too. It's so hard to sustain so many conflicting emotions in one movie and pull it off. Remember the scene in "Fargo" (I know, not a Burton film, but stick with me) when Marge meets her old high school friend in the bar, and his life is so sad and pitiful and the scene is both hillarious and hearbreaking at once? It's amazing that the Coens' managed to make that scene work. What's even MORE amazing about "Ed Wood" is that Burton puts all those conflicting emotions and feelings into an ENTIRE MOVIE and makes it work. I saw "Ed Wood" in the theater twice, both times aware that I was seeing a film-maker at the absolute top of his art. Ebert didn't like "Ed Wood" either. Double-death to Ebert!

Mars Attacks: Eh. It was OK. Nothing special.

Sleepy Hollow: Eh. It was OK. Nothing special. A bit gory for my taste. Two middling films in a row for Burton. I started to get worried.

Planet of the Apes: Absolutely dismal. Only Helena Bonham Carter was remotely watchable. Terrible ending twist. Mark Wahlberg isn't a bad actor... but you wouldn't know it from this piece of simian sludge. This movie in DVD form isn't fit to use as a coffee saucer. At this point I started delivering Burton's eulogy.

Big Fish: Mild return, but still nothing special. His best film since "Ed Wood," but not on par with any of the pre-Wood films. Even "Batman Returns" was better.

I still haven't seen "Charlie and the Chocolate Factory" or "Corpse Bride," mainly because I've lost faith in Burton's career. I do think that it's appropriate to have the word "Corpse" in all of his projects from now on. Maybe he'll direct another animated film called "The Corpse Before Christmas."

I used to love the guy. He peaked with "Ed Wood," and then something happened. Give it five years and he'll be directing artsy looking films for the Lifetime network.

And on that happy note, I bid you farewell!

2/19/2006 11:16 PM  
Blogger Kelly said...

I tend to agree with you, Darrell. I think his glory days are behind him. I'm reserving complete judgement until I see Charlie and the Chocolate Factory. I was very disappointed in Corpse Bride and Big Fish. (BF made me cry at the end but I thought the whole story leading up to that was just weird for the sake of being weird. Plus, it was kinda boring.)

I'm glad to see your appreciation for Mars Attacks!, MCF. Gosh, I loved that one, and would have it higher up on my own personal list. But Edward Scissorhands has to be #1. Burton at his finest, Johnny Depp, and Vincent Price's last performance. What more could you want?

2/20/2006 6:04 AM  
Blogger Kristine said...

I am most certainly not the Tim Burton fan that you guys are, but I always get excited to see a new Burton flick. I just love the visual style and the quirky sense of humor. Sleepy Hollow and Mars Attacks are my favorite. Sleepy Hollow because it just LOOKS SOOOOO COOL and Mars Attacks because the first time I saw it, I think milk came out my nose. Hilarious.

2/20/2006 10:47 AM  

Post a Comment

<< Home