5.05.2006

Crash Log

Warning: This post contains spoilers from a movie and various television series. Read on with caution.

In 2004 in the film The Forgotten, in what was at the time a shocking and unique scene, the camera is set inside a moving car as two characters are talking. We're facing the passenger as they cross an intersection when suddenly oncoming headlights appear just before a jarring crash. It was shocking and placed the viewer in the vehicle, and it would not be the last of its kind.

In 2005, a show aired called Reunion that I never actually watched. What I do recall from the frequent commercials is one scene in which characters are inside a car when it's struck from the passenger side, from the same point of view used in The Forgotten.

On May 25th, 2005, the season finale of Alias followed a shocking revelation with the exact same style car crash. This time, however, the view was of the driver telling the passenger something huge seconds before crossing an intersection where another vehicle is seen over his shoulder moments before a collision, and then a black screen. My reaction was to simply stare at the screen for a long time, not even blinking, nor registering the commercials and closing credits. The context of the show, coupled with the fact that the particular cinematography for that kind of shot was still relatively new, succeeded in achieving the show's desired effect.

On May 17th, 2006, an episode of Prison Break ends with a truck colliding with a van transporting a prisoner across an intersection in an open field. The initial impact is shot outside the vehicle, but the camera quickly cuts inside to show the passengers jostled about.

TWO DAYS LATER, on May 19th, Alias begins with a wounded prisoner being transported in an ambulance when it's suddenly struck by a truck. Somewhere, investigators seek to question Optimus Prime and learn his whereabouts on Monday and Wednesday of that week. Unfortunately due to a clerical error, they apprehend a member of the U.S. Army Ohio National Guard.

TONIGHT. In the season finale of Supernatural, the brothers engage in a final showdown with their demonic enemies and mount a bold rescue of their father. This series started off decent, taking occasional nods from current horror film styles, especially those seen in films like The Ring and The Grudge. Most of the episodes have stood alone as they roamed the country in their black ‘67 Chevy Impala, “Metallicar”(hat tip to Television Without Pity). There was an underlying plot about their missing father, and hunting the demon that killed their mother, that ran throughout the episodes as they fought various demons, ghosts, vampires and more. The show was really starting to fill a void left by shows like Buffy, lacking only a female main character. Perhaps some of the girls they've encountered on the road, such as Amy Acker and Venus Terzo might show up again, should the show return for a second season. Tonight's episode was really good, and things came to a satisfying resolution before one last commercial break. When the show returned, with a few minutes to spare, we join the cast cruising in the night in Metallicar when(have you been paying attention?) a truck driven by a possessed human, denoted by his black eyes, slams into them. We end with a shot of them bloody and unconscious(or worse) as the screen fades to black. I liked the episode otherwise, but the car crash thing has quickly become an overused cliché in the last few years, and especially prominent in the last few weeks. I do like what Volkswagon has done recently with crash cinematography. I'm sure there are other examples that I've missed. Still, I do hope Supernatural is back next season, and that most if not all of the people in the car survived. Most of all, I hope the car can be fixed.

11 Comments:

Blogger Darrell said...

The first time I saw the currently popular car-crash thing was in the movie Adaptation. We see the car crash that kills Chris Cooper's wife... and we see it from the perspective of the passangers in the car with her. That scene comes out of the blue and it put my heart in my throat. If you've ever been in a wreck, you know that these scenes bring up the REAL feeling that happens right before the REAL impact. I don't like these scenes at all, and I especially resent the Volkswagon commercial, which I think is very manipulative.

5/05/2006 9:56 AM  
Anonymous Anonymous said...

Germans? Manipulative?

Naaahhhhh......

5/05/2006 11:09 AM  
Blogger cube said...

I remember a big crash scene in Law & Order involving the actress from Jordan's Crossing. I think she wanted to be written off the show.

5/05/2006 12:07 PM  
Blogger cube said...

MCF, this is off topic, but don't forget tomorrow is free comic book day.

5/05/2006 12:10 PM  
Anonymous Anonymous said...

cube....that crash happened off camera. We'd just gotten confirmation that Claire (Jill Hennessy) and Jack (Sam Waterson...spokesman for Old Glory Robot Insurance Co. BTW) were sleeping together....then SMACK!!

There must be fifty ways to leave.....

5/05/2006 1:24 PM  
Blogger MCF said...

Hennessy and Waterson? Hello age difference...

I forgot about Adaptation, where they back out of the driveway. I had the same reaction. Jarring and horrifying in that one minute here the next gone sense.

I don't know whether or not the VW ads are manipulative. I do know they're effective in making their product extremely appealing. That's what good advertising does.

5/06/2006 12:02 AM  
Blogger Darrell said...

MCF: I don't know whether or not the VW ads are manipulative. I do know they're effective in making their product extremely appealing. That's what good advertising does.

I guess I feel like it crosses the line because of the implication that driving another product is irresponsible. Of course, it's subjective. That's just what I get out of it.

5/06/2006 7:35 PM  
Anonymous Anonymous said...

Age differences bother you MCF? Don't tell Wendy and Darrell.

5/07/2006 6:01 PM  
Blogger MCF said...

When some old dude like Waterson hooks up with a young chick like Hennessy, it's implausible. Waterson is 28 years older. I'm just incredulous. It's like how fat guys always have hot wives on sitcoms.

I don't have a problem IRL with age differences though; my own parents are nine years apart.

As far as the commercial thing goes, I guess what I'm saying is that an advertisement is supposed to make a product look good and appealing, and doesn't hold to any moral high ground. I'm not saying it's necessarily a good thing, but if the car does what the ad says it does, if people can walk away from a collision like that, then I have no problem with it. If it was a blatant lie, like showing bullets bounce off the car or something, that would be a different story. Adverising by its very nature is manipulative. Maybe I've worked in junk mail for too long.

5/07/2006 6:52 PM  
Anonymous Anonymous said...

Not to delve too far into an area of contention - Lord knows I've learned not to take on the sacred cows of this Nexus - but I tripped over the word "implausible" in your last post MCF.

My on-line dictionary defines IMPLAUSIBLE as "highly imaginative, but unlikely"

In a forum such as this where books about dragons, games that feature elves and TV shows overrun with space aliens and vampires seem common place, the Law and Order relationship is imaginative, but
unlikely?

This truly is the Nexus of Improbability.

5/08/2006 12:30 PM  
Blogger MCF said...

I was using the word as follows: "having a quality that provokes disbelief"

5/08/2006 8:13 PM  

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